Tuesday, 26 February 2013


The international typographic style (its) or Swiss style, was a modernist movement that rose in the the 1950’s. The forefathers of ITS such as Ernst Keller (1891-1968), Theo Ballmer (1902-1965) and Max Bill(1908-1994) to name a few, had their root’s in different disciplines such as Bauhaus and De stijl. As a result, the ITS inherited the aesthetics of the disciplines mentioned above. An aesthetic built around the ideas of simplicity, universal purity and harmony, mathematical and methodical ways of designing, functionality , legibility and abstraction. These are all ideas that carried on into ITS and quickly became the fundamentals of the movement.
One could say that the ITS has become somewhat of an immortal style. Because if one were to look at most modern logo designs, architecture, web sites and even music, It becomes apparent that ITS principles have withstood the test of time and are prevailing in our everyday lives. The following logos will add to this idea by exemplifying the above.

















The following are logos that I feel have the potential to become “immortal”, some of them might already be considered immortal because they have been around for a long time like Windows Apple and abc.

Square Enix


This logo was formed in 2003 when two of Japan’s major game companies Square soft and Enix merged. One of the main reasons I chose this logo, was that it reflects the ITS principle of simplicity. The letter forms are legible which is achieved by a san serif type face. The Use of black which is a neutral colour and red which is a primary colour, which is something an ITS designer like Theo Ballmer would have done . Merely because of its simplicity, the Square Enix logo is my all time favourite and really excites me whenever I see it.

Atlus


This logo, like the Square Enix logo, uses a san serif type face with letter forms that are built out of abstract shapes of primary colours. This is an ITS feature in that it is minimalistic e.g. the colours of the logo are the primary colours blue and red. It has no imagery that would make it complex, and to reiterate on the above it does not use a serif type face but rather uses abstract shapes to create a san serif type face. It is a clever design and one that has earned a spot in my favourites.

Windows 8

http://www.fastcodesign.com/1669092/the-new-windows-8-logo-arrives-trailed-by-pirates-and-haters

This logo is one of my favourites because it uses simple shapes to make an image which in this case a window .This can be described as a synergy, where all the elements of a given object form a system that becomes one. This is something Max Bill would have done. The logo also describes how the operating system works, with the use of “windows” that are organised into systematic panels that form the user interface. Already the logo is showing that it is functional and fulfils its purpose.

Apple


This logo is another favourite of mine, mainly because it uses a silhouetted image of an “apple “hence it communicates its identity without type. This is another principle of ITS which can be better described as objective imagery. The object (apple) is shown in its pure and simple form. This logo is something Hans Nuenburg would have done as seen in the ‘The New Graphic Design’, (1962) creating design with the use of simple silhouette’s. This approach makes the apple logo a universal logo.

            

Abc (American Broadcasting Company)




The abc logo for me represents the true aesthetic of the ITS .The logo is constructed by a circle which is a basic and universal shape, and the letter forms are constructed by negative space. Each letter form is simplified to its elemental configuration that is to say for the “b” it I merely a circle with a vertical line placed on the top left of  its circumference to form a “b”



This is the end of my blog and I hope it has helped you understand the ITS and how it’s core principles and aesthetic are all around us.